The circus bear is a classic. A hundred years ago, no traveling show was complete without a bear walking on its hind legs, bowing, juggling a ball. But behind this adorable image lie years of cruel training, a broken animal psyche, and, alas, modern bans. How has the attitude towards bear performers changed? Why is this act fading into the past?
The first mentions of dancing bears in Russia date back to the 11th century. Troubadours led bears on chains, performing a "bear comedy": the animal portrayed a drunk man, a woman, fought with its owner. The bear was a symbol of strength and foolishness. In the 19th century, "bear theaters" became popular in Europe — for example, in Switzerland, where bears were taught to juggle. In the Soviet Union, the circus school refined training to perfection: bears rode on motorcycles, played balalaikas, lifted weights.
Traditional bear training was built on pain. Metal rings were used in their noses (they were pulled), whips, hunger. The bear learned: if it didn't stand on its hind legs, it would be painful. This developed a conditioned reflex. However, modern humane training (positive reinforcement method) also exists. For example, in the Brothers Zapashny circus, bears are trained using treats (honey, cookies, fish). But any training of a wild animal is a stress for it. A bear remains a predator, and even the most gentle circus bear can send a trainer to the hospital at any moment.
The most famous bear in the history of the circus is Mikhail Potapych (known from the film "Circus" with Lyubov Orlova). In the 1930s, in the Soviet Union, there was a bear named Yasha, which toured Europe. In modern circuses — Kukachyov's bears (cats are great, but bears were there too). Brothers Edgard and Asklad Zapashny work with brown bears: their "Bear rock 'n' roll" act is famous. In the Western circus (Cirque du Soleil), live bears are not used — only acrobats in costumes. However, in the old American Ringling Brothers circus, there was a famous bear juggler.
The standard set includes walking on hind legs, somersaults, riding a bicycle, rollerblading, "handshakes," playing musical instruments (actually — imitating movements), juggling with batons. The complex ones include balancing on a ball, passing through a burning hoop, "bear football" (kicking a ball with a paw). In the best cases, a bear can do a handstand. Some bears can open a lock with their beak — this is a high level of intelligence.
Since the 2000s, animal rights activists have actively opposed the use of bears in circuses. Reasons: an unnatural living environment (small cells, light, noise), cruel training methods (even "humane" methods imply the suppression of will), a short lifespan (bears live 15-20 years in circuses instead of 30-40). Some countries (Greece, India, the Netherlands) have even banned the use of wild animals in circuses. In Russia, such a ban does not yet exist, but public opinion is changing. More and more often, audiences choose circuses without animals. Bears are replaced by animatronics or acrobats in costumes.
In the past, old performers were euthanized. Now there are sanctuaries for circus bears (for example, "Wild Garden" in the Kaluga region). There, animals undergo rehabilitation: they are taught not to be afraid of the forest, to find food. Not all can be released into the wild — they are too accustomed to humans. But even life in a enclosure with a pool and stumps is better than a cell in front of a performance. Bears saved from traveling circuses often suffer from obesity, psychological disorders (rocking from side to side).
The circus bear is a contradictory image. On the one hand, it brings a smile and applause. On the other hand, it reminds us of how man has subjugated nature. Watch the bear act, but think: what does the performer feel himself?
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