In Russian folk tales, the bear is a special figure. He is not a fox, a rabbit, or a wolf. He is huge, strong, clumsy, but at the same time kind and just. His image has changed from a pagan totem to a comical oaf. Why did the bear become almost the main animal in Russian folklore? And what sets him apart from his "colleagues" in European tales? Let's figure it out.
Among Slavs, the bear was considered a sacred animal, the embodiment of Velles (the god of livestock). They feared and revered him. Even the name "bear" is an euphemism ("knowing honey"), to avoid using the real name (ber). In tales, he often appears as a judge, a protector of the weak, the lord of the forest kingdom. He can punish for greed, help an orphan, or reward a brave person. Unlike the wolf, which is often foolish and hungry, the bear is reasonable. Although he is not without comical traits.
The most famous tale about a bear is "Masha and the Bear". Here, he is not a villain. He does not eat the girl, but takes her to his cottage to manage the household. The bear plays the role of a "domovoy" or even a substitute father. He is clumsy but not cruel. And his phrase "don't sit on the log, don't eat the pie" is a sign that he wants to save the food for Masha, not out of greed. In the end, Masha tricks him (hides in a box), but the bear does not get angry — he understands that the girl wants to go home.
In the tale "Man and Bear" (or "Vegetables and Roots"), the bear appears as a foolish partner. The man agrees with the bear to share the harvest: one takes the tops, the other the roots. The bear always chooses the wrong part (either a radish with the green top or wheat with the ears). In the end, he ends up with nothing. This is the image of a simple bear who is strong but not smart. However, even when tricked, he does not kill the man — he goes into the forest. This highlights his pacifism.
In the tale "Medvedko, Ussnia, Gorynia, and Dubnia," the bear helps Ivan- Tsarevich. And in some plots ("Princess-Bear"), he appears as a werewolf, a man in a bear skin. The beauty marries the bear, and then he sheds his skin and turns out to be a good young man. Such plots refer to totemic marriages where the bear is the ancestor of man.
In Western tales, the bear often becomes a friend of a human. Winnie-the-Pooh is fluffy, lazy, but kind. Paddington is an immigrant from Peru, polite and amusing. Balto (from the cartoon) is not a bear, but a wolf, but in general, the image of the bear in European tales (such as "Brother Bear") is a symbol of the wild nature that teaches humans humility. Unlike the Russian bear, Western bears are often infantile or sentimental. Aggressive bears (like in "The Legend of the Bear-Eating Man") are rare, more often in horror stories.
Unlike the wolf (which can eat a grandmother) or the Gorynych Snake (obvious evil), the bear almost never becomes a negative hero. Why? Because our ancestors lived next to the bear, respected his strength, but did not consider him an enemy. The bear is a competitor (loves honey, may attack livestock), but not a killer out of malice. In the peasantry's consciousness, he is a "lord," just as much a worker, only with splayed feet. Even in the tale "Teremok," he comes last and, not fitting in, destroys the teremok not out of malice, but due to his bear strength.
In modern pop culture, the bear from tales has become a meme. The cartoon series "Masha and the Bear" has made him a patient nanny who is tired of the girl's pranks. In the film "Varvara-Beauty, Long Hair," the bear is a positive character who helps the hero. The image remains a good oaf. And that's good. Do not touch our bear.
The bear in tales reflects man's attitude towards nature. It is complex: fear and respect, a desire to subdue and recognition of strength. But in the end, the bear remains a friend. Even if sometimes he steals honey.
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