Dance and football. At first glance, there is a chasm between them. One is art, the other is sport. One requires rhythm, the other strength. But if you look closer, it becomes clear: football is a dance, only rough, masculine, in boots and on the grass. Dribbling is a pas-de-deux with the ball. Celebrating a goal is a solo performance. And fan sections, sending waves, are a choreographic troupe of thousands of people. In this article, we will explore all the points of contact between football and dance.
Brazilians do not play football, they dance it. Garincha, Ronaldinho, Neymar, Vinicius — their movements resemble samba. Finesses with body transfers, the "chapa-de-suya" (cut with a step), deceptive movements of the hips — all of this comes from dance culture. European coaches often criticize Brazilians for "excessive theatricality," demanding pragmatism. But when Ronaldinho scores, dancing, the whole world admires. Brazilian goal celebrations are a small carnival. Players start dancing on the field, sometimes to music from speakers (as Neymar did in "PSG"). FIFA long fought against dancing, considering it a provocation, but eventually surrendered.
Every footballer invents their own dance after scoring. Cristiano Ronaldo ("Siuu"): a jump, a somersault in the air, landing with hands spread — this is the dance of the winner. Messi points to the sky — a ritual dance in memory of his grandmother. Bale imitated a heart with his hands. Griezmann repeated movements from Fortnite. Clubs establish their own "dance" traditions: "Liverpool" folds hands in a lock as a team; "Real" — group hugs. The most creative footballers rehearse in advance.
Technical elements of dribbling have dance names. "Elastico" (from the word elastic) — a cut where the ball first moves in one direction and then sharply in the other. This resembles the movement of hands in belly dance. "Rabon" — a kick with a foot that is lifted over the support (as in salsa). "Stepover" — an imitation of a step, like in step dance. "Reverse past" — a pass through oneself. Defenders do not like dancing dribblers, but fans love them.
Street football is the ultimate freedom. There is no coach, no tactics. There is only a ballet on the asphalt. Finesses, wall passes, checking. Futsal (mini-football) due to small pitches and a light ball is also closer to dance: players spin quickly, pass with their heels, imitate a pass. The famous futsaller Falcao (Brazil) was recognized as the best thanks to his acrobatic strikes.
Fans on the stands also dance. Chanting in rhythm with clapping — this is the dance of the voice. "Wave," when people stand up and sit down, — this is mass choreography. Ultras organize "tifo": huge banners, mosaic of cards, fireworks. In Italy and Argentina, fans sing and dance the whole match. This is a dance of unity.
Coaches on the touchline can also dance. Jurgen Klopp is famous for his jumping technique of celebrating goals, when he runs to the fans and throws himself into their arms. Jose Mourinho, when "Real" scored, made circular movements with his hands. This is also a dance. Assistants sometimes run onto the field and dance the cancan. Even referees dance (sometimes out of joy that the match is over).
Some famous dancers have professionally played football, and vice versa. Michael Jackson in the music video "Jam" played with Michael Jordan in basketball, but football also appeared. The famous ballet dancer Sergey Polunin admitted that his movements were inspired by football finesse. Footballer Peter Cech (formerly known) studied ballet to improve coordination. In the Netherlands, there are football clubs that practice ballet exercises to prevent injuries.
Adidas and Nike shoot videos where footballers dance to music. The "Write the Future" (2010) ad featuring stars, the dance break of Ronaldinho. FIFA series games contain dance celebrations. Dance schools offer classes in football finesse. This is mainstream.
Dance and football are not a metaphor. This is reality. When you're on the field, you dance with the ball, with the opponent, with the crowd. You dance from joy, from despair, from anger. And in this dance — the whole life.
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